Salman Rushdie has a way of taking something entertaining and wonderful and bringing it to a whole new level of brilliance. The title – Two Years Eight Months and Twenty-Eight Nights – may be better known by another, alternate one: One Thousand and One Nights. Right there you get where Rushdie is coming from with this book, which he lets on at the beginning of the book, starting long ago in the time of someone named Scheherazade and the world of the jinn. There is our world and there is also another, the world of the jinn. Sometimes the jinn come over into our world and do the things that jinn do.
But then long ago, one jinn in particular, a princess of the jinn by the name of Dunia, coupled with a human male and gave birth to a brood of offspring, half-jinn half humans, that have bred down the generations leading to some of the main characters in the story. We jump to a time in the not too distant future where a storm strikes New York City and begins the time known as the strangenesses. Very strange things begin happening to people in everyday life. Such as those who can no longer touch the ground but are hovering a few inches above it and as time passes, hover ever higher. Or the graphic novelist who must face one of his creations come to life. Or the arrival of a strange baby who can identity those who are corrupt and liars and becomes an important implement of the mayor’s. It appears a war is raging and waging between the jinn in our world and mere humans are in many ways the victims. But the descendants of Dunia have some ways and abilities to fight back.
Rushdie has taken the premise of an already amazing story, modernized it and brought it into a new and higher realm that serves to blow the reader’s mind in some ways with its scope and detail. Just as One Thousand and One Nights has been addictive reading for many through time, so Two Years Eight Months and Twenty-Eight Nights is a rollicking tale fit to be read and enjoyed by many from now until the distant future.
Originally written on October 31, 2015 ©Alex C. Telander.
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