Seanan McGuire has a number of books under her belt, with both the October Daye and Incryptid series. Then there are the many books she’s written under Mira Grant. So with the publication of her new novel,with a new publisher – Tor, readers might be expecting something similar to what they’ve read before. Every Heart a Doorway is completely different to anything she has written before, and it may be (at least in my opinion) the best piece of fiction she’s written so far.
There is a special place for special children. These kids and teens have traveled to magical worlds, places of fable, locations that are disbelieved by our world. Then for one reason or another, are kicked out of their desired realm and brought back to ours. Now they feel incredibly lost and helpless and don’t know what to do. Their parents in many cases thought them lost and/or dead, and now that they’re back they appear to be wrong in some way.
Eleanor West’s Home for Wayward Children is this special place that will help these children. It will take them in and foster them. Eleanor West herself went through this experience, and like the many children, hopes to one day return to her magical world. For now, with the help of teachers and classes and therapy, they learn to accept the way the world is, but at the same time are encouraged to accept the way they are, yearning for a lost world.
Except now something is killing the children. Eleanor West’s Home for Wayward Children is no longer the safe, comfortable, welcoming refuge it has always been.
In some ways Every Heart a Doorway has a certain Neil Gaiman feel to it, but at the same time it is only the sort of book Seanan McGuire could have ever written. It is magical and lyrical and moving. While it is a short read, readers will want to race along to the end to find out what happens, but at the same time savor every word and page and make it last an eternity.
Originally written on March 24, 2016 ©Alex C. Telander.
To purchase a copy of Every Heart a Doorway from Amazon, and help support BookBanter, click HERE.
Seanan McGuire is the New York Times bestselling author of the October Daye urban fantasy series, as well as the author of some great biological horror books like the Newsflesh trilogy and Parasite under the pseudonym Mira Grant. In Indexing, she brings her two worlds together in a way, employing elements of the urban fantastic, but adhering to the rules of genetics and viruses.
In this world there are those that live their everyday, expected lives and nothing happens, but there are those who don’t know they are a part of something bigger and magical, who can suddenly have their existence affected by a memetic incursion, finding themselves playing a lead role in a fairytale as one of its characters. And these aren’t the happy Disney tales we’ve become used to, but the darker, original ones filled with blood and death. Whether it’s a Snow White, Sleeping Beauty, Ugly Stepsister or Evil Queen, once the incursion has begun it’s very hard to put a stop to it.
Fortunately, there is a group known as the ATI Management Bureau that takes care of these incursions. They are trained professionals with a crack team in all areas, from research to communication when an incursion has begun, to sending out the right team to deal with said incursion. Of course, a number of the team are fairy tale characters who have had their memetic incursions held at bay or controlled and so know full well what they’re dealing with. But because this is a Seanan McGuire novel, nothing ever goes according to plan.
McGuire has taking an interesting premise, using her knowledge and research (she holds a degree in fairytales and mythology), as well as what she has learned from her other series, and brings it all together in a fun adventure story that turns many of the fairytales we consider ourselves very familiar with completely on their heads. She amps the drama and keeps the conflicts cropping up and building from chapter to chapter.
Originally written on April 18, 2014 ©Alex C. Telander.
To purchase a copy of Indexing from Bookshop Santa Cruz, and help support BookBanter, click HERE.
The seventh volume of the October Daye series, Chimes at Midnight, is your typical Toby Daye book, as things seem fine and semi-normal for the first few pages, and then take a lunge to the bizarre and fast-paced, as things heat up. However, this time the stakes seem higher than ever.
Toby and Tybalt, the King of Cats, are now an item and can’t keep their hands and paws off each other, smooching in dark corners and brightly-lit streets, to the point where it starts to grate on the reader, who wants to just get back to the story and adventure at hand. Dead changelings are showing up on the streets, the victims of an overdose of addictive and dangerous goblin fruit. Toby takes this problem to the Queen of Mists, who she’s pretty sure is behind it all and fueling the whole enterprise. But Toby is soon kicked out on her butt and told she must leave the queendom within three days, banished. And before she knows it, Toby finds herself on the receiving end of an attack of goblin fruit that puts her under its dangerous spell. Then there’s the question of the queen’s valid claim to the throne, which seems to be in doubt.
As usual, Toby has a lot to deal with, under the spell of the muddling goblin fruit, it’s a tough one for her and time is running out. Things kick into the predictable high gear readers have come to expect from the series, as Toby jumps from place to place to place at an outlandish rate, leaving the reader’s head spinning, and things get nice and easily solved each time, with little threat to the protagonist or her friends. The climaxes and conflicts of the book feel somewhat contrived and are too easily resolved, making it seem as if the book was written in a hurry. While the ending, although predictable, is worth it, the journey along the way leaves a lot to be desired for the reader who has come to enjoy this series.
Originally written on July 30, 2013 ©Alex C. Telander.
To purchase a copy of Chimes at Midnight from Amazon, and help support BookBanter, click HERE.
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Verity Price is back, doing her best to juggle everything going on in her life, whether it’s working her job to get enough money to eat, checking on and protecting the many cryptids of New York City who need help, and trying to make it big-time as a ballroom dancer. New York Times bestselling author Seanan McGuire first introduced us to the Prices and this unique world in Discount Armageddon, but in Midnight Blue-Light Special she doesn’t waste any time throwing the reader back into catastrophic mayhem. But then in you’ve read a McGuire novel before, you’d be disappointed if that wasn’t the case.
Verity Price has a big problem. Other than the fact that her boyfriend, Dominic, is a member of the clandestine, evil group known as the Covenant which is out to rid the world of all cryptids; it’s that the Covenant is coming to New York to check up on Dominic and see what sort of a job he’s doing, and decide if the city is ready to be purged of all cryptid life. So Verity has to get every cryptid gone or hidden, and hope none of the Covenant check underground for the giant dragon.
With a sequel, readers might have expected another fun adventure, but no, McGuire pushes everything to the limit here with an ultimate showdown that sucks the reader in and doesn’t let go. Building on the great world she started in Discount Armageddon, readers will be left wanting the next book in the series.
Originally written on February 11, 2013 ©Alex C. Telander.
To purchase a copy of Midnight Blue-Light Special from Amazon, and help support BookBanter, click HERE.
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Seanan McGuire published her debut novel and first in the October Daye series, Rosemary and Rue, in 2009.
She now has an impressive nine books out in just three years with the tenth due out in September.
She has perhaps become better know for her zombie horror trilogy, with Feed, Deadline and Blackout under the pseudonym Mira Grant, but her urban fantasy series is a classic example of the genre with interesting and engaging characters, thrilling supernatural mysteries, plus it’s all set in the San Francisco area, so locals will love it.
Think Harry Dresden, but make him female, set her in San Francisco, and accept that the world of Faerie not only exists but has portals linking to our own world and the characters of fable are very real and terrifying.
McGuire will be releasing the sixth October Daye book, Ashes of Honor, on September 4.
Rosemary and Rue
October Daye is a changeling (half-human half-fae) who has never really felt she belongs in San Francisco, or the realm of Faerie for that matter. A private detective, who seeks to help out her kind when they are in trouble, has her world changed when she is turned into a koi fish in the opening pages of the book and finds herself trapped beneath the waters for fourteen years and six months. The spell finally breaking, she returns to a very different San Francisco. While she attempts to acclimatize to this future world, a high ranking elven lady is found murdered, and as Toby investigates she finds herself magically bound to the woman until the mystery of her death is solved.
A Local Habitation
As Toby tries to settle down, licking her wounds from her last escapades in Rosemary and Rue, she is asked by her liege, the Duke Sylvester Torquill of the Shadowed Hills to check on his niece, Countess January O’Leary of Tamed Lightning, better known as Freemont, as he hasn’t heard from her in some time. Taking a sidekick along – Quentin — to show him the ropes, she finds herself caught up in way more than she bargained for.
Arriving at Tamed Lighting, Toby finds what appears to be a simple company that produces computer fantasy games, except that all the employees aren’t human, in fact there’s not a single regular human that works there. Then there’s the quiet way everyone acts around her, as if they’re hiding something. Then the first person turns up dead. As Toby unravels the mystery, it turns out bodies have been piling up, but when she tastes their blood to find out what happened to them, she gets nothing. They are empty husks with no story to tell of their demise. The mystery grows further when Toby finds herself under attack from someone or something.
An Artificial Night
As half-fae Toby recovers from her previous near-death escapade, she wonders if she might have some time to do some normal, everyday things, but soon receives a knock at the door.
It’s her Fetch, Maye Daye, a special doppelgänger that can only exist if Toby’s death is quickly approaching. Wondering where her day will go next, she soon receives news that the ceremonial hunt is now on: Blind Michael, lord of the Wild Hunt, is looking for new recruits; only his methods for acquiring them are unorthodox to say the least: he kidnaps them.
Toby finds out that Blind Michael has kidnapped a number of fae children and human children, some of them she is very close to.
There are only certain roads that can take her on this mission to the world fae and the lands of Blind Michael; each of them takes a toll. Toby enlists the help of some unusual allies: Tybalt, Lord of Cats; the Luidaeg, an offspring of Oberon and sibling to Blind Michael; Lily, a powerful fae of the Japanese Gardens in San Francisco; and her fetch, Maye Daye. And it is in Blind Michael’s lands that she meets another unusual character who has a strong connection with someone important in Toby’s life. Also it seems like this Tybalt guy who Toby has always had to hold her own against, may in fact not be such a bad cat after all.
Toby’s still alive and well – relatively speaking – living with her fetch (summoned due to her apparently approaching, imminent death), her rose goblin, and her cats. Just when it seems like she might have a moment to herself, she is unavoidably summoned to appear before the Queen of Mists, who has always borne a grudge against Toby, who isn’t looking forward to this meeting. In a surprise that shocks Toby more than anyone else, the Queen promotes her to countess.
Suspecting a conniving trap, Toby finds herself drawn across San Francisco from place to place as her dear friends and loved ones begin to fall ill due to a mysterious sickness, including Lily, Lady of the Tea Gardens and Lady Torquill of the Shadowed Hills. As she scrambles around trying to find a cure and who’s behind all this, the hammer falls and she finds herself accused of this sickness and people are starting to die. Then she starts seeing Oleander de Merelands, one of the two people responsible for trapping her in a pond for fourteen years of her life; only it seems like she’s the only one seeing her.
Meanwhile, things between Toby and Tybalt, the King of Cats, begin to heat up. But Toby will save everyone and fix everything . . . right?
One Salt Sea
Another day, another big problem to solve for October Daye.
This time someone has kidnapped the two sons of the regent of the Undersea Duchy of Saltmist. Only a month has passed since Toby was brought back from the brink of death and Oleander de Merelands was defeated in Late Eclipses, and now she has a whole new place to call home – Goldengreen – and to deal with. But she has these kidnappings drop into her lap, and she only has three days to do it or it will be all out war between the sea fae and those on land, which is not a good thing, as the saying goes: “When Faerie goes to war, not everyone will walk away.”
Using some help from the terrifying sea witch, the Luidaeg, who creates a spell, Toby is able to breathe underwater and here McGuire has fun with some great description of strange and unusual and fascinating underwater fae that makes The Little Mermaid seem colorless and boring. But Toby knows she’s on a deadline and needs to find any clues she can, put them together, and find these missing kids before it is too late.
Originally published on Forces of Geek.
Window signs for Borders Roseville store #130 at the beginning of liquidation
I started working for Borders in October of 2005; last October I had my fifth-year anniversary working for the company; by the beginning of October this year Borders Books, Music and More will no longer exist. It is estimated that around 10,700 people will lose their jobs when Borders closes its doors for good. The original Borders bookstore opened in 1971 in Ann Arbor, Michigan. At its height in 2003, Borders had 1,249 stores; five years later it announced its intention to sell. Two years of doubt and uncertainty followed, mainly for the Borders employees, knowing that the end would come and it was merely a case of when. A revolving door of CEOs and constant changes to upper management couldn’t stem or slow the tide of inevitability.
It is truly the end of an era, not just with all of us losing our jobs, but as a community venue that so many people have attended over the years. Whether it was for books, DVDs, music, coffee, Paperchase stationary items, or somewhere to enjoy a music performance or a signing on the weekend; Borders to many was a place to go and have fun. And now there will just be a series of big empty locales across the country.
Employees putting up liquidation signs
Borders prided itself on carrying a wide variety of authors, especially during the better years when it wasn’t just bestsellers, but a large number of midlist authors that readers couldn’t find at Barnes and Noble, and wouldn’t be able to ever discover at Amazon.com. Independent bookstores do their best to carry many of these authors, but they don’t have the spread and range that Borders used to carry. In a recent interview with bestselling author George R. R. Martin, he indicated that a number of these authors will have a lot of trouble selling their books, what with the small publishers already owed millions by Borders, as well as not having such a large retailer to carry their titles anymore. The next few years are going to be interesting as readers, publishers, writers and booksellers look at what happens to this big hole in the book world. Will Amazon.com and Barnes & Noble automatically fill it? Will new independent bookstores begin to flourish across the country? Will eBooks fill this great void? Only the future will tell.
But Borders will not be quickly forgotten. Many of the employees in the history of Borders – as well as current ones – have had many fond memories of working for this institution. Many customers also have their own recollections of shopping at Borders, in fact at the beginning of the liquidation a customer came into the Folsom Borders asking if they could have a piece of the carpet once the store closed as it was there that she was proposed to; sadly she was not granted her wish as the carpet is needed for future tenants. Shortly after the liquidation announcement, Sourcebooks publisher Dominique Raccah created a special Twitter hashtag, #ThankUBorders, where everyone and anyone could share their fond memories and happy times with Borders; each and every day there are many new entries under this hashtag.
I could go on for paragraphs and paragraphs, reminiscing about my job and experiences at this place called Borders that I will never forget. I know on that last day, we’re going to need a lot of tissues. For now, I invite you to read what a variety of authors and one publisher have to stay about the end of Borders . . .
Letters and messages received from caring customers
“I am saddened by the demise of any book purveyor, though of course there must be a sadness hierarchy — with the defunct independents outranking the bankrupt chains. I long ago forgave Borders for shelving Stiff under Medical Reference, because they also chose the book for their Original Voices program, and that program was a nice a leg-up for a first-time author… “ – Mary Roach is the author of the bestselling Stiff, and most recently Packing for Mars.
“Borders was a wonderful chain, with terrific stores. It’s a huge loss to all of us. We mourn when a single bookstore closes, and rightly so — but when 700 close, it almost defies imagination. Countless communities will have no local bookstore at all. I’m truly sorry to see them go.” – Robert J. Sawyer is an award winning author; his most recent book is WWW: Wonder.
“Well, my thoughts aren’t particularly complicated. It’s a shame, even though we all sort of saw it coming. Fewer book stores – whether it’s a chain or an indie going bust – is bad for readers, and bad for writers. Fewer books available means fewer books sold. And for that matter, it means a number of (often) book-loving people are out of a job. Perhaps the Borders closings will open an opportunity for independent stores to rise up and fill the void – particularly in some of the markets where Borders was the only bookstore in the area. I’m not sure how viable or likely that is, but a girl can hope.” – Cherie Priest is the author of the bestselling Boneshaker.
“I can only talk about our local Borders, which was always wonderfully supportive of our books and events. I think the loss of any brick-and-mortar store is bad news. I do know that in later years I had several conversations with people in the book business who didn’t understand some of Borders’ business practices. Unnecessary expenditures, including over-production of author interview videos (when a lot of people are just using a hand-held flip camera, for example). I don’t know what I think really. ” – Jeff VanderMeer is the author of Booklife and Finch.
“I think it sucks. Leaving aside the fact that I still enjoy browsing real live bookshelves and this cuts down on my options for doing so, there’s the terrible economic impact this is going to have on the entire book industry. We were already facing an economic system dangerously denuded of “retailer ecodiversity” — and now the few remaining apex predators, no longer impeded by competition, are free to ravage anyone they see as lower on the food chain: namely, book producers and book lovers. It’s already happening, and now will get worse. Still, at least there’s one hope from the liquidation: Borders might finally be able to pay back the millions of dollars in unpaid-for books it’s owed to publishers and authors for years now.” – N. K. Jemisin is the author of The Hundred Thousand Kingdoms and The Broken Kingdoms.
“Any bookstore closing, chain or independent, is a cause for regret. We may enjoy our e-readers of all kinds, but there’s nothing quite like the feeling of walking into a bookstore and wondering what you’ll discover today, just by being among books, picking them up, sharing that space.” – Guy Gavriel Kay is the bestselling author of Tigana and Under Heaven.
“As both an author and a reader, the news of any bookstore closing is a tragedy. But when I learned about Borders closing I was particularly saddened. Borders was instrumental in making my first book, The Lost City of Z, a success. Borders employees were some of the most devoted readers, who recommended books and passed them on to customers. I did a reading at a Borders in Westchester, New York, near where I live, and was so struck by the extraordinary staff. And so when I think about those people who worked there losing their jobs, and all the readers and authors who will lose such a great place to gather and share their love of books, I’m left without words.” – David Grann is the writer for the New Yorker and the author of the bestselling Lost City of Z.
“First of all, my heart goes out to all the hardworking Borders salespeople and managers who have lost their jobs. The demise of Borders is a sad day for them, for us authors, for publishing houses, for the reading public — and indeed for our country. Fewer bookstores mean fewer books sold. It’s that simple. And that impoverishes us all.” – Douglas Preston is the bestselling co-author of Cemetery Dance and Gideon’s Sword.
“This is one chapter we hoped would never be written. But today’s business climate doesn’t take a sentimental approach. There are so many forces that conspired to effect Borders’ demise, but it boils down to the fact that the business model changed. Borders didn’t. I feel bad for all my friends and terrific booksellers who are losing their jobs, and the readers who lose their neighborhood bookstore. Borders was more than just a store…in its heyday, it was a community’s social pulse…a happening place where people gathered for book signings and musical concerts. It’ll be sorely missed.” – Alan Jacobson is the bestselling author of Crush and Inmate 1577.
“I’m crushed and shocked. The loss of Borders will have a resounding and lasting impact on the publishing market. Worst of all, it leaves fewer outlets for readers to easily browse, purchase, and explore new books. And the effect will reverberate throughout the economy as well: from the dumping of the 400 stores’ retail spaces into an already fragile marketplace to the 11,000 employees seeking new employment during these tough times. There is not a silver lining in any of this.”– James Rollins is the bestselling author of The Doomsday Key and The Devil Colony.
“Well, it’s funny, I remember when Borders was “cool.” —Before they became intent on opening a location next to every indie in town and running them out of business. I was so sorry to see their business model change; they really became the opposite of how they started. Borders was “sex-positive,” and gay-friendly in their infancy; back when it was considered risky. They were out front with graphic novels and comics. Whereas some prominent booksellers were saying: “No title with the word SEX in it will be allowed to have a signing in our store!”— Borders would welcome me. I think I first went to one in Chicago, that was fun. I also remember very well being in their Wall Street location a few months before 9/11. They had such a jolly time inviting me to “invade” the suits and have a reading there. I wish I could remember names better, because obviously, the good times were all about the great individuals I met, who in many cases, had been booksellers for years, at every kind of store. I hope I keep seeing them in the future!” – Susie Bright is the bestselling author of Big Sex Little Death, as well as the editor for The Best American Erotica.
“For any trade publisher the loss of Borders means that print runs will drop, in some cases by quite a lot for some categories in which Borders did well, which will then put pressure on unit costs and retail prices and profit margins. The knock-down effect would include loss of employees, fewer output, and more. And if this is the direction of chain stores, with indications that B&N will soon follow in five years, at least with attrition, as leases expire, then we could see a situation where publishers are either put out of business entirely or transitioned to ebook business models in order to save themselves. It’s a brave new world, but it’s anyone’s guess how brave and new it’s going to be.” – Sean Wallace is the editor and publisher for Prime Books.
“I think it’s a sad day when thousands of people lose their jobs and the ability of the consumer to browse through books in person becomes even more limited.” – Amber Benson is the author of Death’s Daughter and starred as Tara in Buffy the Vampire Slayer.
“The closing of Borders leaves an enormous void in the book world, not only physically but also spiritually. The professional implications to the publishing industry aside, there’s something about the experience of stepping into a book store that can’t be duplicated by browsing books on Amazon.com. If the other brick-and-mortar stores suffer the same fate as Borders, then we will have lost a fundamental piece of our culture.” – S.G. Browne is the author of Fated and Breathers.
“I’ll miss Borders. The closest bookstore to me right now is a Borders. It’s in a local shopping center that has a movie theatre, and nearly every time I go to the movies I go in there to shop. But that’s just the tiny little sliver of my personal regret. Thousands of people are losing their jobs. Big shopping centers will have massive empty real estate that will be hard to lease, and the cities and towns won’t be getting the taxes those businesses generate. Of course, even that is only one aspect of the loss taking place with Borders flaming out. Doubtless it will hasten the rush toward digital books as people have a harder time finding a bookstore. The long term picture–what publishing will look like a decade from now–is unclear. Perhaps once the conversion to digital is complete, or nearly so, that will create jobs and opportunities for writers. But in the short term, we’ll have to navigate carefully as the industry continues to undergo its metamorphosis.” – Christopher Golden is the author of numerous books including The Myth Hunters and The Map of Moments with Tim Lebbon.
“Borders was the only new book store near my house when I was a kid. I spent so many hours there. Borders was the bookstore that always had the book I wanted, that always had the people who knew what I was talking about. When I started publishing my own books, Borders was the bookstore that happily invited me in to sign and read and be a part of the bookstore dream. I miss my local stores so much. I can’t believe the whole chain is going away. It’s a loss to me as a writer, to me as a reader, and to me as a little girl who just wants to walk into a bookstore and be amazed.” – Seanan McGuire is the author of Late Eclipses and Feed under Mira Grant.
If knowledge is power, we live in an age where that power travels at the speed of light, or in the case of the Internet, the speed of a T1 line and a fiber optic cable. The information superhighway has become sort of a misnomer when applied to the worldwide web, as the information conveyed now travels so much faster than an automobile traveling at eighty, ninety or a hundred miles an hour, along with the likes of Facebook, Twitter, and the many thousands of blogs out there updating every minute and hour of every day. So when a bad decision is made by an editor and then a publisher, not all the apologies and changes of heart in the world can affect the outcome once the author has made her decision, pulled her story, and blogged about it on the Internet.
Let me backtrack a little first.
The young adult anthology Wicked Pretty Things was originally scheduled to come out in September of this year featuring a number of popular as well as up and coming authors including Jessica Verday; edited by Trisha Telep and published by Running Press in the US and Constable & Robinson in the UK. Telep had pitched it as “a collection of dark fairy YA stories (with a bit of a romantic edge).” Verday submitted a story, “Flesh Which is Not Flesh,” for the collection that featured a relationship between Wesley and Cameron, two boys. She was then told by Telep that the story would be published so long as she made one of her characters female as a “male/male story would not be acceptable to the publishers.” Verday thought about this for a while and then made the important decision that she knew she had to: she withdrew her story from the anthology, making her stance clear in a post on her blog. This was a hard choice for Verday, who has only published three books in a trilogy and is still an up and coming author, but she chose to stay true to what she believed and what she thought was the righting thing to do.
In a follow up post, Verday defended her decision and presented the comments and responses from the publisher, which was essentially that while the publisher regretted the decisions and actions of the editor, they were still going forward with the anthology, along with keeping Telep as the editor. It was acknowledged all around that bad choices had been made on the part of Telep and that they would now willingly publish “Flesh Which is Not Flesh” in its original form. But Verday wasn’t changing her mind, as the initial “knee-jerk” bad decision had still been made and to now pretend like it hadn’t happened would completely defeat the point of Verday making this decision in the first place. Also the publisher had said that it was a case of miscommunication with the editor and that they had never been consulted in the matter, and publisher Christopher Navratil even wrote an article entitled What Happens When a Headline Goes Viral for Publishers Weekly about it; the issue here was that the publisher kept saying they did not support Telep on this decision by any means, and yet they were still standing behind her and publishing the anthology. Running Press were essentially covering their bases however they could to save face and look good and put the whole matter to bed. Telep was very apologetic, saying “I sincerely regret the sequence of events which has led to Jessica Verday’s story ‘Flesh Which Is Not Flesh’ being excluded from the forthcoming anthology Wicked Pretty Things. This has been the result of a misunderstanding on my part which is entirely regrettable … I fully support LGBTQ issues.” Yet as Jim C. Hines clearly put it on his blog: “But it was hurtful.”
Much to Telep’s and the publisher’s chagrin, the matter wasn’t going to die. Verday had spoken her mind on her blog and word spread across the Internet as more blogs and Twitter accounts and readers heard and learned about the story and then broadcasted it on their respective networking communication site of choice (including the BookBanter Blog). Then Lisa Mantchev, Lesley Livinston, Karen Mahoney and Seanan McGuire – all authors that were to be featured in the anthology – withdrew their stories for publication, and Melissa Marr asked that her name not be used to promote the project. McGuire, much like Verday, is a relatively new author who has gone on to win the John W. Campbell Award in 2010 for Best New Writer and be listed on the New York Times bestseller list. In a heartfelt post McGuire makes her viewpoint clear: “I am not withdrawing from this book because I’m not straight. I am withdrawing because of my little sister and her wife, and because of my girlfriend, and because of my best friend, and because of all the other people who deserve better than bullying through exclusion.” Each of these authors had to make hard decisions that may certainly have affected their careers, and yet they stood behind their choices and never backed down.
But there was still more. Fantasy author Jim C. Hines made a post on his popular blog with the title of “Wicked Pretty Things and the Erasure of LGBTQ Characters.” In the post he begins it with a conversation between his six-year old child and himself in clarifying that marriages do not have to be solely between girls and boys, whereupon his son responds with: “That’s silly. How would they have babies?” Hines commented with: “I understand where his confusion comes from. Pretty much every cartoon on TV has male/female relationships only. Every movie he watches, every book he brings home from school… Any nonheterosexual relationship is simply erased.” Then he segues to Jessica Verday and lays out what happened, citing his sources everywhere he can and makes his point on that matter clear. Then he goes one giant step further in offering to publish the authors’ stories that were withdrawn from the anthology, as well as pay them under the following conditions:
- If you have not already found a home for your withdrawn story, I would be happy to read it.
- If I like the story (and knowing most of the authors involved, I suspect I will), I’ll offer $100 up front to publish it here on my blog.
- Each story will include a donations link. Once the initial $100 has been covered, further donations will be split 50/50. Half will be paid to the author, and the other half will be donated to a LGBTQ-friendly cause.
- If I publish multiple stories, I will look into putting together an e-book collection of those stories, with profits again being split between the authors and a LGBTQ-friendly cause.
The post went on to receive a large number of comments and when asked recently how Hines’s decision had continued to be received, he responded with:
“I made my offer because I agreed with the authors. An editor has every right to decide what she will and won’t publish, but if you’re an editor who refuses to publish LGBT content or assumes such content is automatically ‘inappropriate,’ I have the right to refuse to work with you. A lot of people were writing to express their support for these authors, and I figured the best way I could show my own support was to offer to buy and publish those withdrawn stories.
I’ve spoken to several ex-WPT [Wicked Pretty Things] authors so far. Some of them have already found other homes for their work, which is great. I’m waiting to hear from a few others. I just want to make sure these authors are able to be paid for their stories, and that — hopefully — we’ll all be able to read and enjoy them.”
In my last round of researching for this column as I began to write it, I came across the announcement – albeit not officially emblazoned on their site or displayed anywhere – that the publisher had canceled the publication of Wicked Pretty Things. It looks like enough people were making a big enough deal about this to force the publisher to make their own hard decision on the many choices that authors, writers and bloggers alike had already made. This was the right outcome.
The bottom line is this: Trisha Telep made the wrong call in asking Verday to change her story because she thought it wouldn’t be accepted by the publisher for the anthology, even though it followed the guidelines laid out by the publisher. But once that call had been made, the stance and point were clear and feelings had been very much hurt, and not all the apologies and regrets from Telep or the publisher could change the fact that when Telep saw it was a gay story (“a total of 3 kisses and sexually, it’s G-rated”) about two teenage boys, she said no.
And to end this column on a lighter note, while Running Press will no longer be publishing Wicked Pretty Things this year, it is nevertheless the proud publisher of the book Threesomes and Moresomes, which Nick Mamatas has kindly shown the cover for on his blog. Nothing wrong with that book, right?
October Daye is back again in a new story in this sixth book in the series. A year has passed since Toby’s last adventures left her exhausted, wounded and barely alive, and someone close to her dead. Now she is focusing on training Quentin as her squire, doing her job as Sylvester’s knight and trying to make her life go by in a normal way, but her life is ragged and worn due to her decisions and what she’s done. Then there’s the question of Tybalt, the King of Cats, who’s a whole issue on his own.
And then she is asked to help once again, as a friend and fellow knight, Etienne, reveals to her that his daughter has been kidnapped. This comes as a shock to Toby, as she didn’t even know he had a daughter, but that’s because he’s kept secret about it, as she’s half-changeling — like Toby — and lives with her mother in the human world. Her name is Chelsea, and like her father, she can teleport. But because she is young and just coming into her powers, she is able to open doors and gateways that shouldn’t ever be opened; places that haven’t been accessible for centuries. She also can’t stop herself as she’s on the run from her kidnappers, but also because she can’t control her powers. If they don’t stop her soon, she’ll end up tearing Faerie apart.
Just another ordinary day of mayhem and adventure for Toby, though this time the stakes seem higher than ever. And she can easily identify with a half-changeling not knowing what is really going on and how to control her powers, and if this were to get out about Etienne, it would ruin him. Plus there’s Tybalt who keeps lending a helping hand and is always there when she needs him, and Toby really needs to work out what her feelings are about him. Just another ordinary day.
Originally written on October 24, 2012 ©Alex C. Telander.
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Courtesy of Locus.
Nominees for the Hugo Awards and for the John W. Campbell Award for Best New Writer have been announced by Chicon 7, the 70th World Science Fiction Convention, to be held in Chicago, Illinois, August 30-September 3, 2012. The Hugo Awards ceremony will take place September 2, 2012.
- Leviathan Wakes, James S.A. Corey (Orbit US; Orbit UK)
- Deadline, Mira Grant (Orbit US; Orbit UK) [Deadline review, Mira Grant Interview #1 & #2]
- A Dance with Dragons, George R.R. Martin (Bantam; Harper Voyager UK) [Dance with Dragons review, George R. R. Martin Interview]
- Embassytown, China Miéville (Del Rey; Macmillan)
- Among Others, Jo Walton (Tor)
- ‘‘The Ice Owl’’, Carolyn Ives Gilman (F&SF 10-11/11)
- ‘‘Countdown’’, Mira Grant (Orbit Short Fiction) [Mira Grant Interview #1 & #2]
- ‘‘The Man Who Bridged the Mist’’, Kij Johnson (Asimov’s 10-11/11)
- ‘‘Kiss Me Twice’’, Mary Robinette Kowal (Asimov’s 6/11)
- ‘‘The Man Who Ended History: A Documentary’’, Ken Liu (Panverse Three)
- Silently and Very Fast, Catherynne M. Valente (WSFA)
- ‘‘Six Months, Three Days’’, Charlie Jane Anders (Tor.com 6/8/11)
- ‘‘The Copenhagen Interpretation’’, Paul Cornell (Asimov’s 7/11)
- ‘‘What We Found’’, Geoff Ryman (F&SF 9-10/11)
- ‘‘Fields of Gold’’, Rachel Swirsky (Eclipse Four)
- ‘‘Ray of Light’’, Brad R. Torgersen (Analog 12/11)
BEST SHORT STORY
- ‘‘Movement’’, Nancy Fulda (Asimov’s 3/11)
- ‘‘The Paper Menagerie’’, Ken Liu (F&SF 3-4/11)
- ‘‘The Homecoming’’, Mike Resnick (Asimov’s 4-5/11)
- ‘‘Shadow War of the Night Dragons, Book One: The Dead City (Prologue)’’, John Scalzi (Tor.com 4/1/11)
- ‘‘The Cartographer Wasps and the Anarchist Bees’’, E. Lily Yu (Clarkesworld4/11)
BEST RELATED WORK
- The Encyclopedia of Science Fiction, Third Edition, John Clute, David Langford, Peter Nicholls & Graham Sleight, eds. (Gollancz)
- Jar Jar Binks Must Die… and Other Observations about Science Fiction Movies, Daniel M. Kimmel (Fantastic Books)
- Wicked Girls, Seanan McGuire
- Writing Excuses, Season 6, Brandon Sanderson, Dan Wells, Howard Tayler, Mary Robinette Kowal, & Jordan Sanderson
- The Steampunk Bible, Jeff VanderMeer & S.J. Chambers (Abrams)
BEST GRAPHIC STORY
- The Unwritten, Vol. 2: Leviathan, Mike Carey, art by Peter Gross (Vertigo)
- Locke & Key, Vol. 4: Keys To The Kingdom, Joe Hill, art by Gabriel Rodriguez (IDW Publishing)
- Schlock Mercenary: Force Multiplication, Howard Tayler, colors by Travis Walton (www.schlockmercenary.com)
- Digger, Ursula Vernon (www.diggercomic.com)
- Fables, Vol. 15: Rose Red, Bill Willingham & Mark Buckingham (Vertigo)
BEST DRAMATIC PRESENTATION – LONG
- Captain America: The First Avenger
- Game of Thrones: Season 1
- Harry Potter and the Deathly Hallows: Part 2
- Source Code
BEST DRAMATIC PRESENTATION – SHORT
- Community: ‘‘Remedial Chaos Theory’’
- ‘‘The Drink Tank’s Hugo Acceptance Speech’’, Christopher J Garcia & James Bacon (Renovation)
- Doctor Who: ‘‘The Doctor’s Wife’’
- Doctor Who: ‘‘The Girl Who Waited’’
- Doctor Who: ‘‘A Good Man Goes to War’’
BEST PROFESSIONAL EDITOR LONG FORM
- Lou Anders
- Liz Gorinsky
- Anne Lesley Groell
- Patrick Nielsen Hayden
- Betsy Wollheim
BEST PROFESSIONAL EDITOR SHORT FORM
- John Joseph Adams [John Joseph Adams Interview]
- Neil Clarke
- Stanley Schmidt
- Jonathan Strahan
- Sheila Williams
BEST PROFESSIONAL ARTIST
- Daniel Dos Santos
- Bob Eggleton
- Michael Komarck
- Stephan Martiniere
- John Picacio
- Apex Magazine
- The New York Review of Science Fiction
- Banana Wings
- The Drink Tank
- File 770
- Journey Planet
- SF Signal
- The Coode Street Podcast
- Galactic Suburbia Podcast
- SF Signal Podcast
- SF Squeecast
BEST FAN WRITER
- James Bacon
- Claire Brialey
- Christopher J Garcia
- Jim C. Hines
- Steven H Silver
BEST FAN ARTIST
- Brad W. Foster
- Randall Munroe
- Spring Schoenhuth
- Maurine Starkey
- Steve Stiles
- Taral WayNe
JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER [NOT A HUGO AWARD]
- Mur Lafferty
- Stina Leicht
- *Karen Lord
- *Brad R. Torgersen
- E. Lily Yu
*Finalists in their 2nd year of eligibility.
There were 1,101 nominating ballots received from members of Chicon 7 and Renovation. The deadline for online ballots and the receipt of paper ballots is July 31, 2012 (midnight PDT).